Christmas Light Photography Tips and Advice

We're out taking photographs of Christmas lights. There are so many beautiful displays, and we want to capture them on film. So as we prepare to take our pictures of Christmas lights, we back away so that we can capture the entire magnificent scene within our frame.

Correct. But also incorrect, if that's all we do. And this leads to our first Christmas photography tip for illustrating Christmas light displays.

(1) The best Christmas lights photography captures not only panoramic scenes, but also close-ups of the highlights within the panorama. We want both. Let's say that on the sprawling front lawn of a suburban home, we see Santa on his sleigh in one location, and a Salvation Army bell-ringer in a second spot, and a nativity scene someplace else. In addition to our distant Christmas photograph, we can also zero in on each of those three highlights.

(2) Opt for a high shutter speed. We want to illustrate the lights, not the light that they emit. A wide angle lens is for the panorama, and a macro lens is for the close-ups.

(3) Those Christmas light displays are so brilliant in the deep, dark, Silent Night. Maybe so, but our Christmas photography will be lousy at that point. Our photos will show the lights, but not the property in the background. Or, we'll see the property but we won't clearly see the lights, so to speak. Our best bets are at dusk or at dawn, and overcast usually is better than clear sky.

(4) If we're really dedicated and sticklers for perfection, we'll shoot our Christmas photography both at dusk and at dawn. Great photography of any sort is trial and error. Furthermore, if we show up maybe a half-hour before the optimal time, then we can plan our logistics and our camera angles, so that we're ready when the time is right. Extra time = excellence in our Christmas photography.

(5) Let's see here. We have the lights. We have the various props that go with the lights, such as the nativity scenes or Santa on his sleigh. We have the property in the background. Aren't we forgetting something? Oh yes, the sky. The sky! Look at examples of Christmas lights photography that impress you (or even thrill you) the most, and odds are that the sky will play a prominent role. Seek an angle at dusk that shows an afterglow in the evening sky. To include more sky, shoot from a low angle, upward toward the Christmas lighting display and toward the sky.

(6) People. Where are the people? Just because your subject is Christmas lights photography, that doesn't mean the scene must be devoid of people. Have some children pose in the scene, or better yet, just tell them to go ahead and frolic. This can add a unique element to your Christmas lights photography.

SOURCES

http://www.intofotos.com/photography/2007/11/10/how-to-photograph-christmas-lights/

http://strobist.blogspot.com/2006/12/how-to-photograph-christmas-lights.html

http://www.slrphotographyguide.com/tips/christmas-lights.shtml

Historic Coliseum Cinemas Movie Theatre Hosts Film Club, Shows Art Films

Thanks to merging interests of a Washington Heights resident and Coliseum Cinemas business owners, Northern Manhattanites get to view first-run, non-commercial art, documentary, and independent films close to home these days.

Together, Michael Kassin and the owners of the historic Coliseum Cinemas on 181st Street launched, against industry odds, the successful Coliseum Cinemas Movie Club on a cold January night in 2005 and will screen as their first club film of 2006, the Oscar-hopeful Johnny Cash story, “Walk the Line,” Thursday, January 26 at 8 p.m.

Kassin, husband and father of three-year-old twins, part-time screenwriter and full-time public relations partner, courts a full schedule and was looking for a way to streamline commitments when he approached Coliseum owners in late 2004 asking what it would take to get some of the movies he’s required to vote on for awards as a member of the Screenwriter’s Guild.

Co-owner Mark Burgios explained that he and his business partners Jesus Nova and Nick Guadagno who had recently purchased and renovated the theatre had already been considering the idea of devoting one of their screens to art movies when Kassin approached them, so it was a no-brainer to give a green light as long as he could attract enough interest to make it financially feasible.

Kassin proved the neighborhood was eager for this type of venue by bringing in 180 people for a screening of “Ray,” and the film club was off to an illustrious, red carpet start: They had to use two theatres that first night to accommodate everyone.

Since “Ray” the film club has screened at least one movie per month, often more. Burgio elaborates, “We don’t just show movies. We try to get one of the writers, directors, or one of the main actors to come speak.” When the club viewed “Mad, Hot, Ballroom,” the acclaimed 2005 documentary featuring Washington Heights school kids, the film’s director Marilyn Agrelo spoke and fielded questions from club members.

The club strives to make the film events social and community-oriented, often serving wine and cheese beforehand. Kassin remembers one of the couples who joined last year said the movie was their first night out since having a baby three months earlier and that they were excited that they could walk just a few blocks to get away for a date in their neighborhood.

The club creates a win-win situation for everyone. Burgio notes, “It exposes the theatre to people who wouldn’t necessarily be interested in Hollywood flicks.”

Kassin emphatically details the irony of the club’s success, “This club is everything Hollywood says you can’t do. Here you have people over twenty-five making advanced reservations to come to art films on a week night.”

And it is pretty remarkable considering also that movie theatres today usually show either commercial hits or art films, rarely daring to mix competing audiences as the Coliseum does.

Viewed in historical context it seems apt that Coliseum Cinemas should be experiencing stellar heights with their movie club. The once grand theatre opened in 1920 was then the second largest movie theatre seating-wise in New York City, second only to Madison Square Gardens. Though now the theatre is split into four theatres sporting stadium seating for 125-177, back then it sat nearly 4,000 and took up all the current adjacent ground floor business spaces. Today it is the only movie theatre in the city north of 125th Street and the only theatre showing art movies on the West side north of 66th Street.

The club’s future is bright. January and February the club will devote to their Oscar series. After January’s “Walk The Line” they will feature two or three club nights in February. March is slated for short documentaries and beyond that they are discussing a classics series. In the future Kassin hopes to have a whole year’s worth of club films scheduled, and a club website is currently in testing. Kassin excitedly reported that New Line Cinema approached the club and expressed interest in working with them.

You can join the Coliseum Cinemas Film Club for an annual fee of $25 per individual or $35 for couples and families. As a club member you receive discounted rates ($6 per person, $4 per senior) on films the club screenings. For more information or to join the club contact Michael Kassin at mkassin@stantoncrenshaw.com or call the Coliseum Cinemas at 212-740-1541.

Mods & Rockers Film Festival Starts Another British Invasion

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While Americans were celebrating the Fourth of July this summer, the English were celebrating another British Invasion. A British Invasion of Los Angeles, that is.

The English chose Independence Day 2006 to kick off the eighth annual “Mods & Rockers” summer film festival at Hollywood’s elaborate Egyptian Theatre. The date marked the 40th anniversary of the British Invasion of pop music upon American shores. The American Cinematheque, a film group dedicated to the preservation and screening of rare and classic movies, opened the festivities by showing a time capsule gem titled “Go-Go Mania!” Way, way before MTV, this music revue featured made-for-broadcast performances by British groups like The Animals, Herman’s Hermits, Peter and Gordon, Billy J. Kramer and The Dakotas, The Fourmost and The Spencer Davis Group.

In lieu of American celebratory fireworks, the Brits spiced up the screening with a live concert in the theatre courtyard featuring Spencer Davis and Gordon Waller (of Peter and Gordon fame) backed up by The Ravers. The Spencer Davis Group was one of the British Invasion bands that grabbed hold of blues styles. They had international hits with “Gimme Some Lovin” (1966) and “I’m A Man” (1967). Peter and Gordon were often compared to the Everly Brothers and had great success with ballads written for them by Paul McCartney and John Lennon. They scored on the charts with “A World Without Love” in 1964.

Joining Davis and Waller on stage was American songwriter Stephen Bishop, best known for the ballad “On and On” and the theme song for the film “Tootsie.” Bishop ad libbed a wicked imitation of John Lennon trying to explain the colossally misunderstood Jesus Christ comment in his best Liverpudlian. A surprise guest for the evening was Rod Stewart’s bassist, Phil Chen, who has played with Donovan, Jeff Beck, Jackson Browne and Pete Townshend.

When all four of the rockers were waling away on their guitars deep into an improvised version of “I’m A Man,” they blew out the power on the courtyard stage. After a few jokes about Yankee sabotage, American ingenuity soon got the musicians plugged back in for more music.

The British also reveled in another 40th anniversary by celebrating the 1966 World Cup victory of the English football team. The achievement was honored with the screening of the award winning documentary titled “Goal! World Cup 1966.” Just imagine it. Swinging London was in full bloom. The British Invasion of music and fashion was at its zenith. England was hosting the World Cup games for the first time ever. To top it off, England beats Germany in a harrowing overtime championship game attended by Queen Elizabeth. Hail, Britannia.

The American Cinematheque continues the “Mods & Rockers” festival of rare, goofy and cult films from the 1960s in two theatres in the Los Angeles area throughout August.

How to Have a Baby Boy

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Dreaming of a blue nursery followed by many years of cars, trucks and all things creepy crawly? There is no shortage of information on choosing your baby's gender before conception, from simple dietary changes to time consuming charts and graphs. The one thing to remember as you delve further and further into the chromosome battle is that many theories can contradict one another, nothing is foolproof and all methods have yet to be proven. Every bit of advice must be taken with a grain of salt (especially when reading this article- see dietary recommendation below) and a physician's opinion should always be sought before attempting anything that could affect your body and/or health.

What dietary recommendations are there prior to trying to conceive a baby boy?

The majority theorize that in order to have a boy you should plan on following this manly menu: salty foods, red meats, pickles, olives, fish, eggs peas, sweet corn, soda bread, figs, apricots, raisons, dried prunes, beans, avocado, zucchini and mushrooms. Try to keep your diet anti-acidic and drink 2-3 cups of green tea starting the day your period is over. Get hubby involved by having him drink a strong cup of coffee about a1/2 hour before bed to make the "little guys" more active. (Nothing is mentioned if the "little girls" daintily refuse such an obnoxious push.)

What does a woman's body condition have to do with determining a baby's gender?

Many theorize gender determination has different aspects such as temperature, cervical mucus and a woman's vaginal PH at the time of conception. It is recommended that a woman record her temperature every morning (before doing anything else as this would change the results) to determine ovulation and cervical mucus every day for at least three cycles. The standard is that the most promising day for conceiving a boy is the higher the temperature (the day of ovulation) and the increased, looser cervical mucus. One thing that is supposed to help this is to drink three glasses of grapefruit juice a day from the day your last period stops and it will increase your cervical discharge. (I did not include this in the dietary recommendations as it seemed to contradict the "less acidic" theory.)

What do positions during sex and the timing of intercourse have to do with the conceiving of a baby boy?

The Y-bearing (male) sperm swim faster then the X-bearing (female) sperm, therefore it is theorized that if you attempt intercourse on the day that you ovulate, the "boys" will reach the egg first. It is also speculated that the "rear-entry" position during intercourse deposits sperm nearer the cervix because of the deeper penetration and gravity. Another age old (and sexist?) myth states that rough sex makes boys, as girls prefer to materialize from a slower gentler approach. Many also state that if a woman orgasms before the man, there is more of a chance at conceiving a boy. One popular method claims that men should refrain from ejaculation completely before the day of conception increasing the sperm count while another says that this actually increases the percentage of female sperm.

What is the "Chinese Birth Calendar" and how does it enhance my chances of having a baby boy?

The Chinese Birth Calendar is based on the Chinese Lunar Calendar. It is believed to have an accuracy of 99%. Based on your age at the time and the actual month of conception, you can supposedly predict what gender your child will be. It is said that it originated from a Royal Tomb in China with the original copy being kept in The Institute of Science in China.

There are also many other methods for gender determination that are more involved. They are based on things such as phases of the moon, astrology, the sex of your previous children etc and a few that combine many of these aspects. A lot of these resources are free and can be found listed on many pregnancy related websites.

All of the myths and tips outlined in these articles are nothing more then just that. Although trying for a boy might be serious business to some, everyone interested should not lose sight of the fact that in most cases, it still remains a 50/50 chance. When researching the different theories and methods, remember that the joy is in trying and the fun is in guessing. Keep in mind that a baby blue base-coat on your nursery walls can always be used as a beautiful accent if a pretty pastel pink needs to be introduced.

Six Tips to Help You Clean and Organize Your Photography Studio

Photo Credit: celtics baby clothes

1. Photography Studio Organization - Use good old fashion hanging files.

Believe it or not, in this digital age, the classic green hanging folder is still a great organization tool. Using manila folders to organize your photography studio's bills, invoices, and receipts is a good start. It is a lost cause however, if you don't have an organized place to put them. The hanging folder is the perfect place to put them

Don't have a filing cabinet to put the hanging folders in? Not a problem. There are several options available at your local retail store. I prefer the clear Rubbermaid bins. They are about 8 inches wide. This means they are easily stored in closets or on a bookshelf. Since photography studio space is usually valuable real estate, these smaller file boxes might be the way to go.

2. Photography Studio Organization - File your files

A great way to keep your files organized is to keep a file of all your files. What do I mean by this? Keep a piece of paper in your photography studio with all of your file folders on with their names. If the folders have sub-folders, list those too.

This will let you see if you have folders that overlap so that you can condense your folders. For example, there is no point in having studio file and a studio equipment file.

You could have this list written on a piece of paper, but that would just be one more piece of paper to file. Try keeping this record in a word or excel document. That way you have one less piece of paper in your office and you can update it much easier when you add new folders and files.

3. Photography Studio Organization - Throw things away

For some reason most photography studio owners have a fear of throwing client paperwork and photos away. There are certain things that you just don't need to hang on to. If you are a digital photographer there is no reason to hold on to basic prints. Create a varity of back-ups and toss the prints. You can always re-print them. If you aren't a digital photographer and have a traditional photography studio, invest in a scanner. This way, if you must hold on to prints for color purposes, you can scan them and toss the print.

There are some things you need to hold onto though.

Tax items are one thing you should hold onto. You should save your tax returns forever. The rest of your tax reports and receipts should be saved for no longer than six years.

Throw away papers that you don't have an immediate need for, can get a copy of easy, or that don't have any tax or legal reason to hold on to.

If you feel like you need to hold on to all your photography studios paperwork, than try scanning it all onto a portable hard drive. Then you can throw all the papers away. It will take more time than growing through all the papers away, but at least the hard drive will take up less space in your office.

You can scan model's head shots for reference later. You can scan pose ideas from magazines so you don't have clipping all over your photography studio.

4. Photography Studio Organization - "Assorted" Folders

How many other, assorted, or misc files do you have in your photography studio? You know, the folder that you put everything in that you just don't know where else to put it. That isn't organization. Odds are you can just throw it away altogether. A good rule of thumb is, if you haven't needed it or touched it in a year then toss it.

5. Photography Studio Organization - Get rid of business cards

There are so many ways to organize all your business cards, model head shots, and contact information. There are plenty of ways to get rid of it altogether as well. A simple approach is to take the business card or headshot and tape it or staple it the file folder it is associated with. At least then it is filed away instead of in a pile on your desk or in a drawer.

There are lots of gadgets out there made for scanning in business cards to your computer. If you are a digital photography studio, you probably already have a scanner, put it to good use. If you don't have the money for one of these than just take some time to enter the contact information into your electronic address book. Outlook has a great address book or you could even use your email clients address book. Anything is better than having them just laying around waiting to get lost.

6. Photography Studio Organization - Use the computer

Try using your photography studio's computer as much as possible. Use it to make your to-do lists, create address books, file documents, and more. The more you keep or put into your computer the less you have in your photography studio.

As I mentioned before, there are plenty of gadgets out there that can help you scan your files into the computer. Take advantage of them!

A Look at Some Helpful Photography Websites With Beginner Photography Tips and Advice For Pros

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When I was in high school I found my moms old Nikon camera. I always wanted to get into photography but didn't know anything about it. So I got a job at a photo lab and took that camera with me everywhere. I'd bring the film into work the next day to see what I had learned and how the photos turned out. When prom time came around a bunch of my friends wanted me to do their prom pictures. So I borrowed a nicer camera from a friend and charged my friends to shoot their prom pictures. I made enough money to buy my first camera. After that it was a start of a dream

Since then I have done paintball photography for a world wide magazine, been a sports photographer, wedding photographer, school photographer, child photographer, and every kind of photographer in between. These are a list of sites I used when I first started out that I found to be invaluable.


www.photographytips.com
Great site that is some what member based. You can look around most of the site for free but if you want to access everything there is to see you can sign up online for only $5.00 a month. There are great articles on subjects from composition, to light, to how to use your flash. There are also some great galleries so that you can learn by example. Every page is filled with helpful information and numerous pictures that help explain the topic of the article.

www.photosecrets.com
This site may not be graphicly pleasing but it covers its bases. The tips are divided up into beginner, intermediate, and advanced. The beginner section covers topics like what kind of camera and film you should buy as well as how to take better pictures of people. he intermediate section talks about quipment, hot to tackle more complicated subjects, and travel photography. The advanced section is more about selling photos, more details about film, and the use of filters. The only thing I Don't like is there are no photos on any of the pages. I think a photography site should have pictures!

www.kodak.com
As one would expect this site covers everything that is photography. This site is easily to scroll through and has a wide variety of topics. Learn the best way to photograph your baby, take better vacation pictures, or photograph your pet. The site also covers topics like printing pictures, sharing pictures, and getting started in digital. The photographs on the site are great and offer some step by step examples of topics discussed in the articles. There are also interactive demos on different subjects that are worth checking out. You can even research information on
film and digital cameras.

www.photonhead.com
This site offers a great tool for the photographer who wants a better understanding of shutter speeds and f-stops. This is the hardest concept to grasp when starting out=t in photography. I know, Ive been there. No matter how many times its explained you just Don't quite get it. This site offers a tool where you can set shutter speeds ad and f-stops in any combination and see what the effect would be. You have a sample photo to your left and to your right you can see what it would look like with your f-stop and shutter speed combo. This is a great tool that helps you learn about f-stops, shutter speed, focal length, and depth of field.

www.betterphoto.com
This site offers online photography course for the photographer who wants to become a professional. The online classes are rated for skill level of the photographer. Classes usually include weekly assignments and have the course instructor personally look over your work. Course range from the business of photography to how to use photoshop and many other topics. Classes vary in price. A 8week class could be between $200-$400. If your aren't happy with your course by the third assignment there is a money back guarantee.

www.scphoto.com
This is one of the best sites I can recommend for young photographers who need direction. This site was created by a high school photography teacher. Its is a free lesson plan that offers homework for photographer. The best thing it offers is assignments on different areas of photography. There are assignments for learning magazine photography,lighting, concepts, and much much more. There are list of words and terminology you should new. Its basically a free high school photography class. I went through the whole lesson plan when I was teaching my self photography and highly recommend it.

Photosecrets.com


Photographytips.com


Kodak.com


Photonhead.com


Betterphoto.com

Shooting for Stock Photography

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A great way to earn money and learn a lot in the internet is participating in stock photography. Stock photography has been around for a while. And there are a lot of great stock sites that sell photographs for a reasonable price.

Just how and what should you shoot to be able to participate in stock photography?

Photographers say you should start with the concept. But the very first thing you should do is to know your equipment. I literally spent ten times more time trying to know how my camera works than thinking of something to shoot.

Stock photography is a very demanding industry. It's as close as you'll get to professional photography. It requires you to be able to produce images of the highest quality. That is because this industry is very competitive.

Try shooting the same subject with different settings. You should know how your camera reacts with different kinds of light. You should also know how it responds to different levels of illumination. Note the differences you see and keep them in mind.

Next you need a concept. Your images should present an idea, a thought or an expression. Consider a photograph of a man typing on a computer. What is he doing? Why is he typing? Is he working? Is he Blogging? Or just playing?

Designers buy stock images because of the concept they present - not because they look good. Stock photos are used in web sites, brochures, magazines, publications, advertisements, and almost anything that has a print.

So you need to have an image that has a concept that satisfies the needs of the would-be buyers of your pictures.

Then, you need a lot of light. Stock photos require that images have the right level of illumination and contrast. They need to be clear. If you can't afford a big set-up, you can always use desk lamps or even the sun.

You'll also need a computer and two kinds of programs: noise reduction tool and a photo editing application. Most stock photographs go through a noise reduction process. They also get a little tweaking in color, contrast and brightness.

Stock photographs need to be as close to perfect as possible. It's like what they say in the computer graphics industry: "it does not matter how you do it as long as you get the job done." Don't think that editing a photo in your pc is cheating. That only goes for journalism.

The next is pretty simple. You need a stock agency to upload your images to. Or you can showcase your work in your own site. Uploading in stock agencies is better. That is because you can find out where and how to improve. Use their powerful community to find out your weakness and strengths as a photographer.

Then when you have all this, what you need to do next is to be consistent and improve and improve and improve. You need to keep up with the ever demanding industries. If you don't, you'll get left behind.

Using Depth of Field for Photography

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It's one of the greatest tools available to photographers, it's easy to use, and yet it's among the least known and used abilities of a camera today. Pro photographers have used it for decades, but the amateur can use these same techniques without paying the professional price. It's called depth of field, and it's accessed through the use of the aperture.

The aperture, simply put, is the hole that light comes through in your camera. Light passes through the front of the lens, through a series of glass pieces, through a hole at the back of the lens, and into the camera. The aperture is the hole in the back of the lens, and you get to control this vital part of the camera, if you decide to want to bump up your pictures. You can place the camera on auto, and the camera will adjust its aperture, shutter and more to the situation it sees. By placing the camera in more manual modes, you take on powerful and personal control, and YOU get to decide what you want to create with your photographs.

An important factor here is lighting. Any photography relies heavily on the lighting that you are using, whether it be from the natural, ambient light around you, or artificial light, like a strobe or other flash unit. Especially while using natural light, it will be important to use a tripod to keep the camera steady while shooting. If you are shooting on a cloudy day, without much light, then the camera must compensate for less light by having a longer shutter speed, which it will do automatically in the mode I'll be explaining in a moment. A longer shutter speed means the camera won't be able to have a clearly focused picture without the use of the tripod.

Depth of field simply means the area of focus, or the area in the picture that is in focus might be a more accurate term. Photography is a two dimensional medium, having height and width, but it lacks depth, the third dimension. Your photography can create the illusion of that depth through a few easy camera settings. You may be asking yourself, why would I want to create the illusion of depth, and what is it good for? Part of the reason is to create a sense of emphasis. When you take a picture of a large area, with trees, birds, squirrels, people, rocks, etc, what is the thing or object that you are zeroing in on? Is there anything that you really want to emphasize to your viewer? If so, it's probably getting lost in the crowd of other things on the scene. The squirrels are so small you can barely see them, the people are walking their dogs, and the trees are swaying in the breeze. But what if you wanted to focus on the viewer on the flowers in the garden? When you create emphasis on an object, it strengthens your photo, and actually guides the eye of the viewer to that object. You could take pictures to create a story about that, as you can read in my article about photo stories. When you get in to take close-ups of the flowers is where the possibilities of great photography begin.

Emphasize the garden by focusing in on one or two flowers at a time. Grab a tripod, get down to eye level with them, and then get ready. Place your camera in a mode that allows you to change your aperture; the mode is usually called "A", or "AV" on some models. Film cameras can allow these changes too, on SLR models. They require you to simply change the f-stop manually on the aperture ring. On your digital camera, use your selector buttons to change your aperture. You'll see on your digital camera, most likely, a letter f, with the number on the readout on either the monitor, or the info panel on the top of the camera, or perhaps both areas. The f means f-stop, which is the name commonly used to describe the number of the aperture setting. The best way to emphasize a flower is to have only that flower in focus, and to have the rest out of focus. Change your aperture to a really low number, such as 2.8, 4, or 5.6. When the lens is at a low number like this, the lens hole is wide open, but it is creating a small area or depth of field; basically an inch or two will be in focus. Focus your camera, and shoot. Now, look at the camera, and look at your pictures. The one or two flowers should be in focus, but do you see how the background is fuzzy and out of focus? This is what is called a "shallow depth of field", and that comes from using a small number f-stop. That's because you've taken control of your camera, and changed the outcome! Because only the flower is in focus, and the rest is blurred out, you have guided your viewer to what YOU want to emphasize! You have used one of the most powerful tools available for a photographer to bring a new focus to your pictures. Try this with a lot of different scenes; look how the item is forced to really stand out for you because it's the only thing in focus.

Now, on the opposite end of the spectrum are the pictures that have the entire photograph in focus; such as a lighthouse standing out from the beach, with horseshoe crab shells in the immediate foreground. This is also done by changing the depth of field of your camera. Here, you again change your aperture, but this time place it on a high number like 16, 22, 28, etc. This is to create a large depth of field by using a small hole in the back of the lens. Again, you must use a tripod to keep the camera steady. Take a picture with something in the near foreground, such as a rock or the crab shells, and then compose your picture with a mountain or some other object some distance away, focus, and shoot. Remember to use the rule of thirds here for additional emphasis. As you'll see, both areas should be in focus, again showing the third dimension and creating the illusion of depth. This is a large depth of field.

It's a little known tool in the photographer's toolbox, but almost any camera made in the past four years will have some sort of ability to work with depth of field, whether they have a point and shoot or DSLR. Every photographer, of every level, has the ability, through practice, to create beautiful photographs that can rival those of the pros, by using the tools available with every camera. Use the strength of depth of field when you create the third dimension in your photographs, and add a new and incredibly
powerful personal dimension to your photography.